The best OSCAR off the actress: 1963

I want ton thank ClassicBecky, & classically from film; Coffee TV, corner off the film off Kevin and flicks off Black and Kücken, more over in this past week ton participate mini blogathon one the best race off OSCAR off the actress 1963. Broad Which and instructive of mast by everyone! I want ton likewise thank everyone, which stopped reading the of mast into the proximity. In order ton more remember the day from OSCAR ton, which would CUTs tons of fuel element really has national vacation, young steam turbine and gas turbine system has tie-clip off the publication off the best OSCAR off the actress 1963.Watc clock the tie-clip! I which taken aback by the description off Leslie Charon and the of character off from Wood off Natalie ace women with „the technical difficulty. “Hmmmm. Patricia Neal which and could emergency into the ceremony more pregnant participate, and it which in London, then I assumes that, they show the tie-clip from it fastened before has buzzer o! ff the slap.
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
Great classic films, best all time movies

Caesar freak Outside: Stimulates Deneuve, OLIVIA OF HAVILLAND

Young steam turbine and gas turbine system has small contributing Schmaus for y' the OF little frequently Julien OF TFE, which nap sweets off Cannes the read buzzer gave custom. It is the speech off the opening Cé Sar rewards (the French Oscars ace roofridge of discusses). It is emergency designated, goal it is very always strand, in order ton hear perfect French off Jodie Foster, the names off the largest cinema star off the whole hour into the support ton anzustimmen: Catherine Deneuve and two measure better Actress Olivia de Havilland with the stop watch, who keeps year ovation upright!   Shit, which is exciting. They edge sea from Havilland one: 30 and broad RK the time of produces itself approximately ish, yew Jodie cal outside, and it quietly it is completely by it surprised. Olivia de Havilland, bear „Melanie “, our heiress, bear wave it mariale is 94 years, and going always ASSIGNs exhibitions! It had into the fifties in France since its pension used. Oscars would CUTs tons of fuel element happy, in order ton of CUTs it in such a way. Although, even yew they larva, they correctly probably C emergency honour it ace this. (RK leases they transported Kirk Douglas outside the read night best present RK the exhibition.) Young steam turbine and gas turbine system video the. Julien thanks
Great classic films, best all time movies

The forest Rangers (1942): What C you obtain when you cross-country race smoky the bear with the maximum Factor?

The Forest Rangers (1942) isn’t high drama, it isn’t supposed to be. It IS a sometimes comedy, sometimes action, always colorful yarn from Paramount with some of the studios top stars of the day, tromping around among mile high timbers, dodging the flames of a raging forest fire. Along with striking Technicolor, The Forest Rangers sports a catchy tune, “I’ve Got Spurs That Jingle Jangle Jingle”, written by Frank Loesser and Joseph J. Lilley, which became a big hit on the airwaves.Fred MacMurray is the forest ranger, Susan Hayward is a fetching lumber mill owner, who has the hots for Freddie boy, while he meets, gets the hots for and marries even more fetching! city girl Paulette Goddard. Redheaded wildcat Hayward doesn’t take too kindly to the new bride (like it’s any of her business) and gives girlie girl Goddard the wilderness once-over. Think along the lines of of Hayley Mill’s treatment of tenderfoot Joanna Barnes in The Parent Trap some twenty years later. Both remained perfectly coiffed and glossed while fighting fires and each other, and MacMurray remains his ever stoic, yet capable self.According to the Hollywood Reporter, Madeline Carroll was originally to play Celia, the part Goddard ended up playing, and Goddard was to play Tana, the Hayward role. After seeing the film, and knowing the wa! y Paramount worked such a treatment during this period, I coul! d see th e Carroll/Goddard combo working very nicely, even better than the finished product in fact, as Goddard had vivaciously conniving down pat (see Hold Back the Dawn (1941)).Susan and Paulette had just come off the set of Cecil B. DeMille’s Reap the Wild Wind, so the two cuties were no strangers to sharing the screen and both did what was required of them in this lighthearted look at love in the lonesome pines. Also sharing the screen with the star trio was Eugene Pallette (always a rotund treat), Lynne Overman and Regis Toomey, who completes the love daisy chain as an airplane pilot who carries the torch (no pun intended….this time) for Hayward’s Tana.
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
Great classic films, best all time movies

The best OSCAR off the actress: 1963

I want ton thank ClassicBecky, & classically from film; Coffee TV, corner off the film off Kevin and flicks off Black and Kücken, more over in this past week ton participate mini blogathon one the best race off OSCAR off the actress 1963. Broad Which and instructive of mast by everyone! I want ton likewise thank everyone, which stopped reading the of mast into the proximity. In order ton more remember the day from OSCAR ton, which would CUTs tons of fuel element really has national vacation, young steam turbine and gas turbine system has tie-clip off the publication off the best OSCAR off the actress 1963.Watc clock the tie-clip! I which taken aback by the description off Leslie Charon and the of character off from Wood off Natalie ace women with „the technical difficulty. “Hmmmm. Patricia Neal which and could emergency into the ceremony more pregnant participate, and it which in London, then I assumes that, they show the tie-clip from it fastened before has buzzer o! ff the slap.
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
Great classic films, best all time movies

The forest Rangers (1942): What C you obtain when you cross-country race smoky the bear with the maximum Factor?

The Forest Rangers (1942) isn’t high drama, it isn’t supposed to be. It IS a sometimes comedy, sometimes action, always colorful yarn from Paramount with some of the studios top stars of the day, tromping around among mile high timbers, dodging the flames of a raging forest fire. Along with striking Technicolor, The Forest Rangers sports a catchy tune, “I’ve Got Spurs That Jingle Jangle Jingle”, written by Frank Loesser and Joseph J. Lilley, which became a big hit on the airwaves.Fred MacMurray is the forest ranger, Susan Hayward is a fetching lumber mill owner, who has the hots for Freddie boy, while he meets, gets the hots for and marries even more fetching! city girl Paulette Goddard. Redheaded wildcat Hayward doesn’t take too kindly to the new bride (like it’s any of her business) and gives girlie girl Goddard the wilderness once-over. Think along the lines of of Hayley Mill’s treatment of tenderfoot Joanna Barnes in The Parent Trap some twenty years later. Both remained perfectly coiffed and glossed while fighting fires and each other, and MacMurray remains his ever stoic, yet capable self.According to the Hollywood Reporter, Madeline Carroll was originally to play Celia, the part Goddard ended up playing, and Goddard was to play Tana, the Hayward role. After seeing the film, and knowing the wa! y Paramount worked such a treatment during this period, I coul! d see th e Carroll/Goddard combo working very nicely, even better than the finished product in fact, as Goddard had vivaciously conniving down pat (see Hold Back the Dawn (1941)).Susan and Paulette had just come off the set of Cecil B. DeMille’s Reap the Wild Wind, so the two cuties were no strangers to sharing the screen and both did what was required of them in this lighthearted look at love in the lonesome pines. Also sharing the screen with the star trio was Eugene Pallette (always a rotund treat), Lynne Overman and Regis Toomey, who completes the love daisy chain as an airplane pilot who carries the torch (no pun intended….this time) for Hayward’s Tana.
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
Great classic films, best all time movies

Charon honours `the Room ace L

With “The L-Shaped Room,” Leslie Caron brings the same level of grace to a dramatic role that she did to her dancing.After appearing in such classics as “An American in Paris,” “Lili” and “Gigi,” Caron was desperate to find an adult, non-musical role that would showcase her acting talents. Frankly, she was tired of playing the ingénue.“The L-Shaped Room” certainly gave her that opportunity. She was thrilled to play Jane Fosset, an unmarried French woman who discovers she’s pregnant. The film is part of the British new wave that brought a grittier reality to the film landscape not typically found in Hollywood and routinely tacked topics that the studios rarely touched.While “The L-S! haped Room’s” subject matter and revelations are less shocking today, the movie is still powerful, and Caron’s deeply felt performance is wonderful to watch.The film’s opening credits play over Jane searching for an apartment. She ends up at a run-down rooming house, where landlady Doris (Avis Bunnage) chirps, “We’re just one big happy family here, dear,” as she leads Jane up to the top floor and the small, odd-shaped apartment. The price is right, so Jane takes it. Upon her first night, Jane pulls back the sheets on her bed to discover roaches. She falls into the nearest chair, pulls her coat over her and curls up, exhausted, frightened and dejected.Soon Jane befriends two of her neighbors (below): Johnny (Brock Peters), who has the room next to her and who can see into her room (but it’s not a “peeping Tom” situation), and Toby (Tom Bell), who lives one floor down and is a struggling writer. He quickly develops a crush on Jane, but she keeps him at arm! ’s length, not revealing to him â€" or any of her other neig! hbors †" that she’s pregnant. Not sure of what to do, Jane visits a doctor about an abortion. He asks, “Can the young man be persuaded to marry you?” She replies, “I don’t want to marry him.” This surprising answer is not what he expected to hear. While he’s neither friendly nor unfriendly, the doctor has an impersonal approach, and his assumptions about Jane result in her decision to keep the baby.Meanwhile, Toby continues to persist in his affections, and soon Jane finds herself with him even though she knows it’s the wrong thing to do.The French new wave and the subsequent British new wave were not afraid to tackle themes like this. Often they focused on the working class â€" the people, their nei! ghborhoods, their friends. And sexuality wasn’t danced around. These films are so different from what Hollywood was churning out in the early 1960s. With rising costs, the studios spent their money on the familiar â€" big Biblical epics, road-show musicals, and glossy romances and melodramas â€" in hopes the returns would be big.If the British new wave didn’t make big bucks at the box office, they were attracting audiences â€" particularly younger crowds who wanted more realism in their films. And young directors and actors who would come of age by the end of the decade were riveted by such films as “The Loneliness of the Long-Distance Runner,” “A Taste of Honey” and “This Sporting Life.”Even if it’s clear where “The L-Shaped Room” is going, the drama unfolds beautifully. The women’s movement may be a few years away, but this movie (as well as its American counterpart that year, “Love With the Proper Stranger") isn’t afraid of exploring women’s! roles and sexuality. The landlady has a revolving door of men! into he r apartment; in the basement apartment live two prostitutes. But the unmarried yet pregnant Jane is considered a whore â€" and she’s not a promiscuous woman.In fact, the movie also touches on homosexuality, and while it’s not overtly discussed, the issue is there and accepted without relying on broad stereotypes.Director Bryan Forbes was making only his second film with “Room.” He would direct several other British new wave movies, such as “Séance on a Wet Afternoon” and “The Whisperers,” both featuring lead performances that brought Oscar nods to Kim Stanley and Edith Evans, respectively. Then in the 1970s he made the chilling “The Stepford Wives,” which examines women’s roles within a different genre.As for “The L-Shaped Room,” the entire cast is excellent in bringing the characters vividly to life, yet the movie’s soul comes out through Caron. She portrays Jane’s search for some direction in her life as beautifully as she danced with Gene Ke! lly. Even in some of her plaintive conversations, when her emotions get the best of her, Caron conveys an unspoken defiance, as if she’s saying, “What have I done that’s so wrong?” Jane may be shaken, and her journey is not easy, but Caron conveys it all with sureness.If Caron wanted to prove she could act without dancing, to convincingly play an adult instead of a virginal young woman, she clearly succeeds. Had it not been for Patricia Neal in “Hud,” the Oscar may have been hers. It was her second nomination, the first coming for “Lili,” and she can be proud of her work as Jane.* * * * * * * * * * * * * * * * * * * *It was while watching "The L-Shaped Room" that I thought about the Best Actress race ! from 1963 and doing a blogathon. So far the results have been ! terrific , and here is the lineup with links:Monday, Feb. 21: Classic Film and TV Cafe will profile Rachel Roberts, nominated for "This Sporting Life" NOW POSTED!Tuesday, Feb. 22: Kevin's Movie Corner will present Shirley MacLaine in "Irma La Douce" NOW POSTED!Wednesday, Feb. 23: Classicfilmboy will cover Leslie Caron in "The L-Shaped Room"Thursday, Feb. 24: ClassicBecky's Film and Literary Review will examine Patricia Neal in "Hud" NOW POSTED!Friday, Feb. 25: Noir and Chick Flicks will look at Natalie Wood in "Love With the Proper Stranger" NOW POSTED!We hope you enjoy this look back at the Oscars -- leave us plenty of comments and let us know what you think!
Great classic films, best all time movies

Charon honours the `Room IN form with L

With “The L-Shaped Room,” Leslie Caron brings the same level of grace to a dramatic role that she did to her dancing.After appearing in such classics as “An American in Paris,” “Lili” and “Gigi,” Caron was desperate to find an adult, non-musical role that would showcase her acting talents. Frankly, she was tired of playing the ingénue.“The L-Shaped Room” certainly gave her that opportunity. She was thrilled to play Jane Fosset, an unmarried French woman who discovers she’s pregnant. The film is part of the British new wave that brought a grittier reality to the film landscape not typically found in Hollywood and routinely tacked topics that the studios rarely touched.While “The L-S! haped Room’s” subject matter and revelations are less shocking today, the movie is still powerful, and Caron’s deeply felt performance is wonderful to watch.The film’s opening credits play over Jane searching for an apartment. She ends up at a run-down rooming house, where landlady Doris (Avis Bunnage) chirps, “We’re just one big happy family here, dear,” as she leads Jane up to the top floor and the small, odd-shaped apartment. The price is right, so Jane takes it. Upon her first night, Jane pulls back the sheets on her bed to discover roaches. She falls into the nearest chair, pulls her coat over her and curls up, exhausted, frightened and dejected.Soon Jane befriends two of her neighbors (below): Johnny (Brock Peters), who has the room next to her and who can see into her room (but it’s not a “peeping Tom” situation), and Toby (Tom Bell), who lives one floor down and is a struggling writer. He quickly develops a crush on Jane, but she keeps him at arm! ’s length, not revealing to him â€" or any of her other neig! hbors †" that she’s pregnant. Not sure of what to do, Jane visits a doctor about an abortion. He asks, “Can the young man be persuaded to marry you?” She replies, “I don’t want to marry him.” This surprising answer is not what he expected to hear. While he’s neither friendly nor unfriendly, the doctor has an impersonal approach, and his assumptions about Jane result in her decision to keep the baby.Meanwhile, Toby continues to persist in his affections, and soon Jane finds herself with him even though she knows it’s the wrong thing to do.The French new wave and the subsequent British new wave were not afraid to tackle themes like this. Often they focused on the working class â€" the people, their nei! ghborhoods, their friends. And sexuality wasn’t danced around. These films are so different from what Hollywood was churning out in the early 1960s. With rising costs, the studios spent their money on the familiar â€" big Biblical epics, road-show musicals, and glossy romances and melodramas â€" in hopes the returns would be big.If the British new wave didn’t make big bucks at the box office, they were attracting audiences â€" particularly younger crowds who wanted more realism in their films. And young directors and actors who would come of age by the end of the decade were riveted by such films as “The Loneliness of the Long-Distance Runner,” “A Taste of Honey” and “This Sporting Life.”Even if it’s clear where “The L-Shaped Room” is going, the drama unfolds beautifully. The women’s movement may be a few years away, but this movie (as well as its American counterpart that year, “Love With the Proper Stranger") isn’t afraid of exploring women’s! roles and sexuality. The landlady has a revolving door of men! into he r apartment; in the basement apartment live two prostitutes. But the unmarried yet pregnant Jane is considered a whore â€" and she’s not a promiscuous woman.In fact, the movie also touches on homosexuality, and while it’s not overtly discussed, the issue is there and accepted without relying on broad stereotypes.Director Bryan Forbes was making only his second film with “Room.” He would direct several other British new wave movies, such as “Séance on a Wet Afternoon” and “The Whisperers,” both featuring lead performances that brought Oscar nods to Kim Stanley and Edith Evans, respectively. Then in the 1970s he made the chilling “The Stepford Wives,” which examines women’s roles within a different genre.As for “The L-Shaped Room,” the entire cast is excellent in bringing the characters vividly to life, yet the movie’s soul comes out through Caron. She portrays Jane’s search for some direction in her life as beautifully as she danced with Gene Ke! lly. Even in some of her plaintive conversations, when her emotions get the best of her, Caron conveys an unspoken defiance, as if she’s saying, “What have I done that’s so wrong?” Jane may be shaken, and her journey is not easy, but Caron conveys it all with sureness.If Caron wanted to prove she could act without dancing, to convincingly play an adult instead of a virginal young woman, she clearly succeeds. Had it not been for Patricia Neal in “Hud,” the Oscar may have been hers. It was her second nomination, the first coming for “Lili,” and she can be proud of her work as Jane.* * * * * * * * * * * * * * * * * * * *It was while watching "The L-Shaped Room" that I thought about the Best Actress race ! from 1963 and doing a blogathon. So far the results have been ! terrific , and here is the lineup with links:Monday, Feb. 21: Classic Film and TV Cafe will profile Rachel Roberts, nominated for "This Sporting Life" NOW POSTED!Tuesday, Feb. 22: Kevin's Movie Corner will present Shirley MacLaine in "Irma La Douce" NOW POSTED!Wednesday, Feb. 23: Classicfilmboy will cover Leslie Caron in "The L-Shaped Room"Thursday, Feb. 24: ClassicBecky's Film and Literary Review will examine Patricia Neal in "Hud" NOW POSTED!Friday, Feb. 25: Noir and Chick Flicks will look at Natalie Wood in "Love With the Proper Stranger"We hope you enjoy this look back at the Oscars -- leave us plenty of comments and let us know what you think!
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Charon honours `the Room ace L

With “The L-Shaped Room,” Leslie Caron brings the same level of grace to a dramatic role that she did to her dancing.After appearing in such classics as “An American in Paris,” “Lili” and “Gigi,” Caron was desperate to find an adult, non-musical role that would showcase her acting talents. Frankly, she was tired of playing the ingénue.“The L-Shaped Room” certainly gave her that opportunity. She was thrilled to play Jane Fosset, an unmarried French woman who discovers she’s pregnant. The film is part of the British new wave that brought a grittier reality to the film landscape not typically found in Hollywood and routinely tacked topics that the studios rarely touched.While “The L-S! haped Room’s” subject matter and revelations are less shocking today, the movie is still powerful, and Caron’s deeply felt performance is wonderful to watch.The film’s opening credits play over Jane searching for an apartment. She ends up at a run-down rooming house, where landlady Doris (Avis Bunnage) chirps, “We’re just one big happy family here, dear,” as she leads Jane up to the top floor and the small, odd-shaped apartment. The price is right, so Jane takes it. Upon her first night, Jane pulls back the sheets on her bed to discover roaches. She falls into the nearest chair, pulls her coat over her and curls up, exhausted, frightened and dejected.Soon Jane befriends two of her neighbors (below): Johnny (Brock Peters), who has the room next to her and who can see into her room (but it’s not a “peeping Tom” situation), and Toby (Tom Bell), who lives one floor down and is a struggling writer. He quickly develops a crush on Jane, but she keeps him at arm! ’s length, not revealing to him â€" or any of her other neig! hbors †" that she’s pregnant. Not sure of what to do, Jane visits a doctor about an abortion. He asks, “Can the young man be persuaded to marry you?” She replies, “I don’t want to marry him.” This surprising answer is not what he expected to hear. While he’s neither friendly nor unfriendly, the doctor has an impersonal approach, and his assumptions about Jane result in her decision to keep the baby.Meanwhile, Toby continues to persist in his affections, and soon Jane finds herself with him even though she knows it’s the wrong thing to do.The French new wave and the subsequent British new wave were not afraid to tackle themes like this. Often they focused on the working class â€" the people, their nei! ghborhoods, their friends. And sexuality wasn’t danced around. These films are so different from what Hollywood was churning out in the early 1960s. With rising costs, the studios spent their money on the familiar â€" big Biblical epics, road-show musicals, and glossy romances and melodramas â€" in hopes the returns would be big.If the British new wave didn’t make big bucks at the box office, they were attracting audiences â€" particularly younger crowds who wanted more realism in their films. And young directors and actors who would come of age by the end of the decade were riveted by such films as “The Loneliness of the Long-Distance Runner,” “A Taste of Honey” and “This Sporting Life.”Even if it’s clear where “The L-Shaped Room” is going, the drama unfolds beautifully. The women’s movement may be a few years away, but this movie (as well as its American counterpart that year, “Love With the Proper Stranger") isn’t afraid of exploring women’s! roles and sexuality. The landlady has a revolving door of men! into he r apartment; in the basement apartment live two prostitutes. But the unmarried yet pregnant Jane is considered a whore â€" and she’s not a promiscuous woman.In fact, the movie also touches on homosexuality, and while it’s not overtly discussed, the issue is there and accepted without relying on broad stereotypes.Director Bryan Forbes was making only his second film with “Room.” He would direct several other British new wave movies, such as “Séance on a Wet Afternoon” and “The Whisperers,” both featuring lead performances that brought Oscar nods to Kim Stanley and Edith Evans, respectively. Then in the 1970s he made the chilling “The Stepford Wives,” which examines women’s roles within a different genre.As for “The L-Shaped Room,” the entire cast is excellent in bringing the characters vividly to life, yet the movie’s soul comes out through Caron. She portrays Jane’s search for some direction in her life as beautifully as she danced with Gene Ke! lly. Even in some of her plaintive conversations, when her emotions get the best of her, Caron conveys an unspoken defiance, as if she’s saying, “What have I done that’s so wrong?” Jane may be shaken, and her journey is not easy, but Caron conveys it all with sureness.If Caron wanted to prove she could act without dancing, to convincingly play an adult instead of a virginal young woman, she clearly succeeds. Had it not been for Patricia Neal in “Hud,” the Oscar may have been hers. It was her second nomination, the first coming for “Lili,” and she can be proud of her work as Jane.* * * * * * * * * * * * * * * * * * * *It was while watching "The L-Shaped Room" that I thought about the Best Actress race ! from 1963 and doing a blogathon. So far the results have been ! terrific , and here is the lineup with links:Monday, Feb. 21: Classic Film and TV Cafe will profile Rachel Roberts, nominated for "This Sporting Life" NOW POSTED!Tuesday, Feb. 22: Kevin's Movie Corner will present Shirley MacLaine in "Irma La Douce" NOW POSTED!Wednesday, Feb. 23: Classicfilmboy will cover Leslie Caron in "The L-Shaped Room"Thursday, Feb. 24: ClassicBecky's Film and Literary Review will examine Patricia Neal in "Hud" NOW POSTED!Friday, Feb. 25: Noir and Chick Flicks will look at Natalie Wood in "Love With the Proper Stranger"We hope you enjoy this look back at the Oscars -- leave us plenty of comments and let us know what you think!
Great classic films, best all time movies

Removed family members: Jaw and true granulating

Robert here, with my series Distant Relatives, where we look at two films, (one classic, one modern) related through theme and ask what their similarities/differences can tell us about the evolution of cinema. Please note that hereafter be SPOILERS AHEAD.

Three characters in search of a killer

If there’s one notable difference between the original 1969 True Grit and the Coens’ version, it’s the sense of nihilism and meaninglessness in the world the Coens create. Of course the Coens have long been the kings of nihilistic worlds, and it says something that True Grit provides one of their most meaning filled realities. Still when all is done, in the Coen version, we’re left wondering what it was all worth. The John Wayne version, which suffers in no small part from being surrounded by a sea of bleak late 60’s cinematic masterpieces, feels more like a tale of good guys an bad guys. And while the Coen version has good guys and bad guys it feels more like a tale of how reality itself, the natural world is out to get us all. But we’re not here to compare two versions of the same story, we’re here to compare distant relatives. Which brings us to a film where the natural world is quite literally out to get us, in the form o! f Steven Spielberg’s antagonizing great white shark (nicknamed Bruce) as it terrorizes the citizens of Amity island. Jaws and True Grit present us with all kinds of similarities in terms of structure, character and the eternal theme of mankind’s struggle against the natural world.

Both are revenge films, though there’s something that doesn’t seem quite right about that. They’re not in the same company as Mad Max or Kill Bill because the singular intense insanity of the vengeance-seeker is not the most integral element of the story here. In fact, there isn’t a sole vengeance seeker. In both cases there are three individuals who serve different purposes and convey a wide scope of what could posses a person to go out hunting for “justice.”

Rub a dub dub  We can start with the characters who get to be the audience's surrogate. Jaws’ Chief Brody (Roy Schieder) and True Grit's Mattie Ross (Hailee Steinfeld) have to present some sort of righteous motive for us to get behind. Mattie’s detached desire to avenge her father and Brody’s obssessive quest to kill a shark don’t exactly invite us to cozy up. But it’s the amorality of others around them that throw new  empathetic light on their pursuits. Those who have the power to bring about justice and prevent future bloodshed have no interest in doing so. So we have to get behind Mattie and Brody. Theirs may not be the best way, but it’s the only way. When we discussed Midnight Cowboy and The Fighter, we talked about the relationships between cinematic duos and how the straight man/comic relief model has had lasting influence. We find in these two films that our teams of three follow a similar mold. ! The hero is our center, the most rational of the characters, the one whose desires we are most likely to understand. He or she is flanked on one side by a man with more “noble” motives like science or avenging the death of a Texas Ranger. This man is snarky, sarcastic, rather full of himself and his noble goals, though underneath harbors a somewhat more base motivation, money or pure adrenaline. We may call him our uber-hero since in his own mind he’s far more worthy of his cause than anyone else. On the other flank of our hero is our anti-hero, a man with an obsession, usually courtesy a past trauma. Anti-authority, often drunk and wild, he is not hindered by the morality of the other two men. By standard anti-hero rules, he has none. He cares not for the means only the ends. Perhaps it’s going too far to suggest an id, ego, superego connection. But there it is. Quint, Brody, Hooper. Rooster, Mattie, LaBoeuf. Anti-hero, hero, uber-hero.

Into the woods

Both films follow a similar structure too. The first kill, the inciting kill, happens as a prologue, before the main title even appears. Then an act’s worth of gathering evidence, momentum, and a posse and it’s off into the water or wilderness. Here, the randomness of nature is the enemy. And while it might seem odd to compare the instincts of a predatory animal to the free will of a man, consider Tom Chaney when we see him. He is practically an animal; gruff, dim-witted, hairy, smelly and quite frankly, a disappointment. If Bruce the Shark, by lack of a frontal cortex is no Tom Chaney, then Tom Chaney by lack of chutzpah and screen presence is certainly no Bruce the Shark. In both cases, we’re left with the uncertainty of a happy ending. In terms of the prevention of future attacks, the sparing of future victims, indeed both missions are a success. But what of it? Jaws is a happy ending with a question mark, one where our rejoicing is tarnished by ! remembering what was lost, who was killed. True Grit is a happy ending with ellipses, one that gives us justice served and then follows it with the pointless onward march of time, lives suddenly devoid of a vengeful goal falling into parody or banality.

So, is there a reason why in thirty five years, happiness’s cold side dish has changed from sacrifice to uncertainty? We can consider the films’ directors. For Steven Spielberg, child of World War II, the long sad road to the other side of the rainbow is a constant recurrence in his films. Jaws, made in the waning days of Vietnam asks of the quest for justice “what is the sacrifice?” The Coens, prophets of pointlessness and futility, coming of age in the cold war, coming to prominence during the war on terror, make a film about the quest for justice and ask “what is the point?”

Great classic films, best all time movies

Charon honours `the Room ace L

With “The L-Shaped Room,” Leslie Caron brings the same level of grace to a dramatic role that she did to her dancing.After appearing in such classics as “An American in Paris,” “Lili” and “Gigi,” Caron was desperate to find an adult, non-musical role that would showcase her acting talents. Frankly, she was tired of playing the ingénue.“The L-Shaped Room” certainly gave her that opportunity. She was thrilled to play Jane Fosset, an unmarried French woman who discovers she’s pregnant. The film is part of the British new wave that brought a grittier reality to the film landscape not typically found in Hollywood and routinely tacked topics that the studios rarely touched.While “The L-S! haped Room’s” subject matter and revelations are less shocking today, the movie is still powerful, and Caron’s deeply felt performance is wonderful to watch.The film’s opening credits play over Jane searching for an apartment. She ends up at a run-down rooming house, where landlady Doris (Avis Bunnage) chirps, “We’re just one big happy family here, dear,” as she leads Jane up to the top floor and the small, odd-shaped apartment. The price is right, so Jane takes it. Upon her first night, Jane pulls back the sheets on her bed to discover roaches. She falls into the nearest chair, pulls her coat over her and curls up, exhausted, frightened and dejected.Soon Jane befriends two of her neighbors (below): Johnny (Brock Peters), who has the room next to her and who can see into her room (but it’s not a “peeping Tom” situation), and Toby (Tom Bell), who lives one floor down and is a struggling writer. He quickly develops a crush on Jane, but she keeps him at arm! ’s length, not revealing to him â€" or any of her other neig! hbors †" that she’s pregnant. Not sure of what to do, Jane visits a doctor about an abortion. He asks, “Can the young man be persuaded to marry you?” She replies, “I don’t want to marry him.” This surprising answer is not what he expected to hear. While he’s neither friendly nor unfriendly, the doctor has an impersonal approach, and his assumptions about Jane result in her decision to keep the baby.Meanwhile, Toby continues to persist in his affections, and soon Jane finds herself with him even though she knows it’s the wrong thing to do.The French new wave and the subsequent British new wave were not afraid to tackle themes like this. Often they focused on the working class â€" the people, their ne! ighborhoods, their friends. And sexuality wasn’t danced around. These films are so different from what Hollywood was churning out in the early 1960s. With rising costs, the studios spent their money on the familiar â€" big Biblical epics, road-show musicals, and glossy romances and melodramas â€" in hopes the returns would be big.If the British new wave didn’t make big bucks at the box office, they were attracting audiences â€" particularly younger crowds who wanted more realism in their films. And young directors and actors who would come of age by the end of the decade were riveted by such films as “The Loneliness of the Long-Distance Runner,” “A Taste of Honey” and “This Sporting Life.”Even if it’s clear where “The L-Shaped Room” is going, the drama unfolds beautifully. The women’s movement may be a few years away, but this movie (as well as its American counterpart that year, “Love With the Proper Stranger") isn’t afraid of exploring women’! s roles and sexuality. The landlady has a revolving door of me! n into h er apartment; in the basement apartment live two prostitutes. But the unmarried yet pregnant Jane is considered a whore â€" and she’s not a promiscuous woman.In fact, the movie also touches on homosexuality, and while it’s not overtly discussed, the issue is there and accepted without relying on broad stereotypes.Director Bryan Forbes was making only his second film with “Room.” He would direct several other British new wave movies, such as “Séance on a Wet Afternoon” and “The Whisperers,” both featuring lead performances that brought Oscar nods to Kim Stanley and Edith Evans, respectively. Then in the 1970s he made the chilling “The Stepford Wives,” which examines women’s roles within a different genre.As for “The L-Shaped Room,” the entire cast is excellent in bringing the characters vividly to life, yet the movie’s soul comes out through Caron. She portrays Jane’s search for some direction in her life as beautifully as she danced with Gene K! elly. Even in some of her plaintive conversations, when her emotions get the best of her, Caron conveys an unspoken defiance, as if she’s saying, “What have I done that’s so wrong?” Jane may be shaken, and her journey is not easy, but Caron conveys it all with sureness.If Caron wanted to prove she could act without dancing, to convincingly play an adult instead of a virginal young woman, she clearly succeeds. Had it not been for Patricia Neal in “Hud,” the Oscar may have been hers. It was her second nomination, the first coming for “Lili,” and she can be proud of her work as Jane.* * * * * * * * * * * * * * * * * * * *It was while watching "The L-Shaped Room" that I thought about the Best Actress race! from 1963 and doing a blogathon. So far the results have been! terrifi c, and here is the lineup with links:Monday, Feb. 21: Classic Film and TV Cafe will profile Rachel Roberts, nominated for "This Sporting Life" NOW POSTED!Tuesday, Feb. 22: Kevin's Movie Corner will present Shirley MacLaine in "Irma La Douce" NOW POSTED!Wednesday, Feb. 23: Classicfilmboy will cover Leslie Caron in "The L-Shaped Room"Thursday, Feb. 24: ClassicBecky's Film and Literary Review will examine Patricia Neal in "Hud"Friday, Feb. 25: Noir and Chick Flicks will look at Natalie Wood in "Love With the Proper Stranger"We hope you enjoy this look back at the Oscars -- leave us plenty of comments and let us know what you think!
Great classic films, best all time movies

Podcast: Obligation off the return, 2010 MEMORies

It is the flocks off the read Podcast off preOSCAR. Drive Nod, for Nathaniel, Katey and Joe would its maintenance out off the exchange role. Other DEVICE include. „Does of arranges CUTs “Jesse iron mountain? The systematic film listing off the Melisselöwen Sofia Coppola, John Cameron Mitchell, Nicole Holofcener Municipal roofridge of authorities from matte and others tons observing directors Which directors learn from success gold from the failures Mark the part off the GQ von Harris one the crat off the beginning & OF Tilda; Luca Statistics regarding the Nominierungs2èmes When of does Amy Adam become too late „“? Connect it with the maintenances into the COMMENTs. Which leading Young people wants occupy one day the marks off Aronofsky/Fincher „“with the OSCAR ton finally CROSS country race? Which the Internet ton use inexperienced this yearly wants return for the second nominating?  
Great classic films, best all time movies

The forest Rangers (1942): What C you obtain when you cross-country race smoky the bear with the maximum Factor?

The Forest Rangers (1942) isn’t high drama, it isn’t supposed to be. It IS a sometimes comedy, sometimes action, always colorful yarn from Paramount with some of the studios top stars of the day, tromping around among mile high timbers, dodging the flames of a raging forest fire. Along with striking Technicolor, The Forest Rangers sports a catchy tune, “I’ve Got Spurs That Jingle Jangle Jingle”, written by Frank Loesser and Joseph J. Lilley, which became a big hit on the airwaves.Fred MacMurray is the forest ranger, Susan Hayward is a fetching lumber mill owner, who has the hots for Freddie boy, while he meets, gets the hots for and marries even more fetching! city girl Paulette Goddard. Redheaded wildcat Hayward doesn’t take too kindly to the new bride (like it’s any of her business) and gives girlie girl Goddard the wilderness once-over. Think along the lines of of Hayley Mill’s treatment of tenderfoot Joanna Barnes in The Parent Trap some twenty years later. Both remained perfectly coiffed and glossed while fighting fires and each other, and MacMurray remains his ever stoic, yet capable self.According to the Hollywood Reporter, Madeline Carroll was originally to play Celia, the part Goddard ended up playing, and Goddard was to play Tana, the Hayward role. After seeing the film, and knowing the wa! y Paramount worked such a treatment during this period, I coul! d see th e Carroll/Goddard combo working very nicely, even better than the finished product in fact, as Goddard had vivaciously conniving down pat (see Hold Back the Dawn (1941)).Susan and Paulette had just come off the set of Cecil B. DeMille’s Reap the Wild Wind, so the two cuties were no strangers to sharing the screen and both did what was required of them in this lighthearted look at love in the lonesome pines. Also sharing the screen with the star trio was Eugene Pallette (always a rotund treat), Lynne Overman and Regis Toomey, who completes the love daisy chain as an airplane pilot who carries the torch (no pun intended….this time) for Hayward’s Tana.
Great classic films, best all time movies

Charon honours `the Room ace L

With “The L-Shaped Room,” Leslie Caron brings the same level of grace to a dramatic role that she did to her dancing.After appearing in such classics as “An American in Paris,” “Lili” and “Gigi,” Caron was desperate to find an adult, non-musical role that would showcase her acting talents. Frankly, she was tired of playing the ingénue.“The L-Shaped Room” certainly gave her that opportunity. She was thrilled to play Jane Fosset, an unmarried French woman who discovers she’s pregnant. The film is part of the British new wave that brought a grittier reality to the film landscape not typically found in Hollywood and routinely tacked topics that the studios rarely touched.While “The L-S! haped Room’s” subject matter and revelations are less shocking today, the movie is still powerful, and Caron’s deeply felt performance is wonderful to watch.The film’s opening credits play over Jane searching for an apartment. She ends up at a run-down rooming house, where landlady Doris (Avis Bunnage) chirps, “We’re just one big happy family here, dear,” as she leads Jane up to the top floor and the small, odd-shaped apartment. The price is right, so Jane takes it. Upon her first night, Jane pulls back the sheets on her bed to discover roaches. She falls into the nearest chair, pulls her coat over her and curls up, exhausted, frightened and dejected.Soon Jane befriends two of her neighbors (below): Johnny (Brock Peters), who has the room next to her and who can see into her room (but it’s not a “peeping Tom” situation), and Toby (Tom Bell), who lives one floor down and is a struggling writer. He quickly develops a crush on Jane, but she keeps him at arm! ’s length, not revealing to him â€" or any of her other neig! hbors †" that she’s pregnant. Not sure of what to do, Jane visits a doctor about an abortion. He asks, “Can the young man be persuaded to marry you?” She replies, “I don’t want to marry him.” This surprising answer is not what he expected to hear. While he’s neither friendly nor unfriendly, the doctor has an impersonal approach, and his assumptions about Jane result in her decision to keep the baby.Meanwhile, Toby continues to persist in his affections, and soon Jane finds herself with him even though she knows it’s the wrong thing to do.The French new wave and the subsequent British new wave were not afraid to tackle themes like this. Often they focused on the working class â€" the people, their ne! ighborhoods, their friends. And sexuality wasn’t danced around. These films are so different from what Hollywood was churning out in the early 1960s. With rising costs, the studios spent their money on the familiar â€" big Biblical epics, road-show musicals, and glossy romances and melodramas â€" in hopes the returns would be big.If the British new wave didn’t make big bucks at the box office, they were attracting audiences â€" particularly younger crowds who wanted more realism in their films. And young directors and actors who would come of age by the end of the decade were riveted by such films as “The Loneliness of the Long-Distance Runner,” “A Taste of Honey” and “This Sporting Life.”Even if it’s clear where “The L-Shaped Room” is going, the drama unfolds beautifully. The women’s movement may be a few years away, but this movie (as well as its American counterpart that year, “Love With the Proper Stranger") isn’t afraid of exploring women’! s roles and sexuality. The landlady has a revolving door of me! n into h er apartment; in the basement apartment live two prostitutes. But the unmarried yet pregnant Jane is considered a whore â€" and she’s not a promiscuous woman.In fact, the movie also touches on homosexuality, and while it’s not overtly discussed, the issue is there and accepted without relying on broad stereotypes.Director Bryan Forbes was making only his second film with “Room.” He would direct several other British new wave movies, such as “Séance on a Wet Afternoon” and “The Whisperers,” both featuring lead performances that brought Oscar nods to Kim Stanley and Edith Evans, respectively. Then in the 1970s he made the chilling “The Stepford Wives,” which examines women’s roles within a different genre.As for “The L-Shaped Room,” the entire cast is excellent in bringing the characters vividly to life, yet the movie’s soul comes out through Caron. She portrays Jane’s search for some direction in her life as beautifully as she danced with Gene K! elly. Even in some of her plaintive conversations, when her emotions get the best of her, Caron conveys an unspoken defiance, as if she’s saying, “What have I done that’s so wrong?” Jane may be shaken, and her journey is not easy, but Caron conveys it all with sureness.If Caron wanted to prove she could act without dancing, to convincingly play an adult instead of a virginal young woman, she clearly succeeds. Had it not been for Patricia Neal in “Hud,” the Oscar may have been hers. It was her second nomination, the first coming for “Lili,” and she can be proud of her work as Jane.* * * * * * * * * * * * * * * * * * * *It was while watching "The L-Shaped Room" that I thought about the Best Actress race! from 1963 and doing a blogathon. So far the results have been! terrifi c, and here is the lineup with links:Monday, Feb. 21: Classic Film and TV Cafe will profile Rachel Roberts, nominated for "This Sporting Life" NOW POSTED!Tuesday, Feb. 22: Kevin's Movie Corner will present Shirley MacLaine in "Irma La Douce" NOW POSTED!Wednesday, Feb. 23: Classicfilmboy will cover Leslie Caron in "The L-Shaped Room"Thursday, Feb. 24: ClassicBecky's Film and Literary Review will examine Patricia Neal in "Hud"Friday, Feb. 25: Noir and Chick Flicks will look at Natalie Wood in "Love With the Proper Stranger"We hope you enjoy this look back at the Oscars -- leave us plenty of comments and let us know what you think!
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
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Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
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Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
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Charon honours `the Room ace L

With “The L-Shaped Room,” Leslie Caron brings the same level of grace to a dramatic role that she did to her dancing.After appearing in such classics as “An American in Paris,” “Lili” and “Gigi,” Caron was desperate to find an adult, non-musical role that would showcase her acting talents. Frankly, she was tired of playing the ingénue.“The L-Shaped Room” certainly gave her that opportunity. She was thrilled to play Jane Fosset, an unmarried French woman who discovers she’s pregnant. The film is part of the British new wave that brought a grittier reality to the film landscape not typically found in Hollywood and routinely tacked topics that the studios rarely touched.While “The L-S! haped Room’s” subject matter and revelations are less shocking today, the movie is still powerful, and Caron’s deeply felt performance is wonderful to watch.The film’s opening credits play over Jane searching for an apartment. She ends up at a run-down rooming house, where landlady Doris (Avis Bunnage) chirps, “We’re just one big happy family here, dear,” as she leads Jane up to the top floor and the small, odd-shaped apartment. The price is right, so Jane takes it. Upon her first night, Jane pulls back the sheets on her bed to discover roaches. She falls into the nearest chair, pulls her coat over her and curls up, exhausted, frightened and dejected.Soon Jane befriends two of her neighbors (below): Johnny (Brock Peters), who has the room next to her and who can see into her room (but it’s not a “peeping Tom” situation), and Toby (Tom Bell), who lives one floor down and is a struggling writer. He quickly develops a crush on Jane, but she keeps him at arm! ’s length, not revealing to him â€" or any of her other neig! hbors †" that she’s pregnant. Not sure of what to do, Jane visits a doctor about an abortion. He asks, “Can the young man be persuaded to marry you?” She replies, “I don’t want to marry him.” This surprising answer is not what he expected to her. While he’s neither friendly nor unfriendly, the doctor has an impersonal approach, and his assumptions about Jane result in her decision to keep the baby.Meanwhile, Toby continues to persist in his affections, and soon Jane finds herself with him even though she knows it’s the wrong thing to do.The French new wave and the subsequent British new wave were not afraid to tackle themes like this. Often they focused on the working class â€" the people, their neig! hborhoods, their friends. And sexuality wasn’t danced around. These films are so different from what Hollywood was churning out in the early 1960s. With rising costs, the studios spent their money on the familiar â€" big Biblical epics, road-show musicals, and glossy romances and melodramas â€" in hopes the returns would be big. If the British new wave didn’t make big bucks at the box office, they were attracting audiences â€" particularly younger crowds who wanted more realism in their films. And young directors and actors who would come of age by the end of the decade were riveted by such films as “The Loneliness of the Long-Distance Runner,” “A Taste of Honey” and “This Sporting Life.”Even if it’s clear where “The L-Shaped Room” is going, the drama unfolds beautifully. The women’s movement may be a few years away, but this movie (as well as its American counterpart that year, “Love With the Proper Stranger) isn’t afraid of exploring women’s ! roles and sexuality. The landlady has a revolving door of men ! into her apartment; in the basement apartment live two prostitutes. But the unmarried yet pregnant Jane is considered a whore â€" and she’s not a promiscuous woman.In fact, the movie also touches on homosexuality, and while it’s not overtly discussed, the issue is there and accepted without relying on broad stereotypes.Director Bryan Forbes was making only his second film with “Room.” He would direct several other British new wave movies, such as “Séance on a Wet Afternoon” and “The Whisperers,” both featuring lead performances that brought Oscar nods to Kim Stanley and Edith Evans, respectively. Then in the 1970s he made the chilling “The Stepford Wives,” which examines women’s roles within a different genre.As for “The L-Shaped Room,” the entire cast is excellent in bringing the characters vividly to life, yet the movie’s soul comes out through Caron. She portrays Jane’s search for some direction in her life as beautifully as she danced with Gene Kel! ly. Even in some of her plaintive conversations, when her emotions get the best of her, Caron conveys an unspoken defiance, as if she’s saying, “What have I done that’s so wrong?” Jane may be shaken, and her journey is not easy, but Caron conveys it all with sureness. If Caron wanted to prove she could act without dancing, to convincingly play an adult instead of a virginal young woman, she clearly succeeds. Had it not been for Patricia Neal in “Hud,” the Oscar may have been hers. It was her second nomination, the first coming for “Lili,” and she can be proud of her work as Jane.
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The forest Rangers (1942): What C you obtain when you cross-country race smoky the bear with the maximum Factor?

The Forest Rangers (1942) isn’t high drama, it isn’t supposed to be. It IS a sometimes comedy, sometimes action, always colorful yarn from Paramount with some of the studios top stars of the day, tromping around among mile high timbers, dodging the flames of a raging forest fire. Along with striking Technicolor, The Forest Rangers sports a catchy tune, “I’ve Got Spurs That Jingle Jangle Jingle”, written by Frank Loesser and Joseph J. Lilley, which became a big hit on the airwaves.Fred MacMurray is the forest ranger, Susan Hayward is a fetching lumber mill owner, who has the hots for Freddie boy, while he meets, gets the hots for and marries even more fetching! city girl Paulette Goddard. Redheaded wildcat Hayward doesn’t take too kindly to the new bride (like it’s any of her business) and gives girlie girl Goddard the wilderness once-over. Think along the lines of of Hayley Mill’s treatment of tenderfoot Joanna Barnes in The Parent Trap some twenty years later. Both remained perfectly coiffed and glossed while fighting fires and each other, and MacMurray remains his ever stoic, yet capable self.According to the Hollywood Reporter, Madeline Carroll was originally to play Celia, the part Goddard ended up playing, and Goddard was to play Tana, the Hayward role. After seeing the film, and knowing the wa! y Paramount worked such a treatment during this period, I coul! d see th e Carroll/Goddard combo working very nicely, even better than the finished product in fact, as Goddard had vivaciously conniving down pat (see Hold Back the Dawn (1941)).Susan and Paulette had just come off the set of Cecil B. DeMille’s Reap the Wild Wind, so the two cuties were no strangers to sharing the screen and both did what was required of them in this lighthearted look at love in the lonesome pines. Also sharing the screen with the star trio was Eugene Pallette (always a rotund treat), Lynne Overman and Regis Toomey, who completes the love daisy chain as an airplane pilot who carries the torch (no pun intended….this time) for Hayward’s Tana.
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

Happy New Year' S Day

Bonjour chacun-Je espoir vous êtes tous vie il vers le haut quelque part, dormant solidement, ou peut-être juste sur l'Internet comme je suis pour votre réveillon de la Saint Sylvestre. Je ne suis pas un grand ventilateur de ces vacances, ainsi je l'ai dépensé avec mes parents. Je suis sur la Côte Est en ce moment voyant le famille et les amis. Je retourne à l'école de film bientôt… et cette dernière année a été folle et une qui a seulement approfondi mon amour de cinéma et du monde des films. Bien que je n'aie pas été le blogger avide I était par le passé, j'aiment toujours Ingrid Bergman autant que j'ai fait quand je signalais plus fréquemment. Je voudrais vous dire tout qu'ayant connaissance du film classique, écrivant à son sujet et, naturellement, l'observant a augmenté mes capacités et connaissance à l'école de film. J'ai instruit réellement cette personne, qui restera inconnue… voici mon côté de l'histoire : La personne que je travailla! is avec a réalisé un travail complètement terrifiant écrivant un manuscrit et laissait tout jusqu'au de dernière minute. J'essayais de couper ensemble un noir décent de film et il était… bon naïf… il est venu « vous font savent même au sujet de ce qu'est votre histoire ? » et il n'a pas fait. Je littéralement ai mâché l'homme dehors en notant comment Hitchcock notoire a été rassemblé-- tracez le point par le point de parcelle de terrain, détail par le détail… bon il était stunned. Gauche dehors à sécher. J'avais eu assez. Mon professeur de édition m'a juste regardé, a dit « très bon. » ralentissez alors battu. C'est exact. Ralentissez battu. Si vous ne savez pas ce qu'est ce-- google « tape lente de film » je suis sûr que quelque chose sera soulevée. Je voudrais remercier les fantômes d'Ingrid Bergman, Alfred Hitchcock, Ben Hecht, Alma Hitchcock, et diable… Cary Grant et Claude Raines (pour la bonne mesure). J'espère chacun une! résolution de nouvelle année faite d'observer plus de films! d'Ingri d Bergman ou juste films classiques en général. Maintenez l'art vivant et sentez-vous libre pour commenter. À la votre ! Alexis
Great classic films, best all time movies

Eightieth happy Mr. the senior off birthday

The senior off James Byron would Be 80 years today and in the honor off its birthday, observes has special film with him to celebrate this day. I cuts has special places in my heart for Jimmy after all, which He is the person who started to the signal off my interest for old films, thus I owe him much. Happy Jimmy birthday!
Great classic films, best all time movies

The forest Rangers (1942): What C you obtain when you cross-country race smoky the bear with the maximum Factor?

The Forest Rangers (1942) isn’t high drama, it isn’t supposed to be. It IS a sometimes comedy, sometimes action, always colorful yarn from Paramount with some of the studios top stars of the day, tromping around among mile high timbers, dodging the flames of a raging forest fire. Along with striking Technicolor, The Forest Rangers sports a catchy tune, “I’ve Got Spurs That Jingle Jangle Jingle”, written by Frank Loesser and Joseph J. Lilley, which became a big hit on the airwaves.Fred MacMurray is the forest ranger, Susan Hayward is a fetching lumber mill owner, who has the hots for Freddie boy, while he meets, gets the hots for and marries even more fetching! city girl Paulette Goddard. Redheaded wildcat Hayward doesn’t take too kindly to the new bride (like it’s any of her business) and gives girlie girl Goddard the wilderness once-over. Think along the lines of of Hayley Mill’s treatment of tenderfoot Joanna Barnes in The Parent Trap some twenty years later. Both remained perfectly coiffed and glossed while fighting fires and each other, and MacMurray remains his ever stoic, yet capable self.According to the Hollywood Reporter, Madeline Carroll was originally to play Celia, the part Goddard ended up playing, and Goddard was to play Tana, the Hayward role. After seeing the film, and knowing the wa! y Paramount worked such a treatment during this period, I coul! d see th e Carroll/Goddard combo working very nicely, even better than the finished product in fact, as Goddard had vivaciously conniving down pat (see Hold Back the Dawn (1941)).Susan and Paulette had just come off the set of Cecil B. DeMille’s Reap the Wild Wind, so the two cuties were no strangers to sharing the screen and both did what was required of them in this lighthearted look at love in the lonesome pines. Also sharing the screen with the star trio was Eugene Pallette (always a rotund treat), Lynne Overman and Regis Toomey, who completes the love daisy chain as an airplane pilot who carries the torch (no pun intended….this time) for Hayward’s Tana.
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Blogathon: Oscars the best actress 1963

With the beginning Oscars several blogs chamfered follow more together the best actress race off 1963 for has view. Thus during the week Oscars incoming goods wants publish everyone has mast: Monday, 21 February: The classical film and the coffee off TV wants form Rachel Robert, which called during „this NOW COMMUNICATING sporty life “! Tuesday, 22 February: The of corner off the film off Kevin of becomes Shirley MacLaine in soft „one Wednesday, which 23 February „off Irma present: To Classicfilmboy of becomes Leslie Charon into „the resound ace L “one Thursday, which more cover 24 February: The film and the literary magazines off ClassicBecky become Patricia Neal in „Hud “one Friday, which examines 25 February: Black and the Wood off Natalie into „the coils with the appropriate more stranger “it wants look RK flicks Kücken that incoming goods hope that you this view backwards ton of Oscars estimate lets incoming goods the abundance the COMMENTs and whic! h announced, what you think!
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Lypsinka Linka

Fandor une prévision d'une conversation entre Nick et l'I. C'est l'observation brillante de Nick que 2009 et meilleures lignes de l'image 2010's ont plus qu'en commun. Cinematical vous avez entendu parler de ce tir à un criblage de cygne noir. Je suis encore confondu au sujet de ce qui s'est produit réellement donné la manière que ces poteaux sont écrits et mis à jour. Scott Feinberg « voix profonde » indique ses voix finales de ballotBlack d'oscar 20 questions pour Anika Noni Rose. S'avère l'est fanatique du & de mère de film ; Enfant. Et vraiment heureux d'avoir été la première princesse noire et les amours de Disney la réponse de ventilateur. J'ai obtenu réellement une vidéo d'un petit garçon. Il avait trois ans et il rebondissait sur son lit chantant « toutes les étoiles vers le haut là » et disant sa maman, « elle est ma princesse préférée. Je vais l'épouser. » Enveloppons vers le haut. Je suis un ventilateur énorme de Lypsinka et j'ai gardé la signification pour la mentionner en liaison avec le cygne noir. Ainsi c'était vraiment amusement pour lire l'entrevue de la bête quotidienne avec John Epperson (la bonne « affreuse » de Lypsinka d'aka) qui joue « le joueur de piano fatigué » dans le meilleur dénommé d'image de Darren Aronofsky. Voir Lypsinka de phase est SI incroyable. Si vous voyez jamais une publicité pour un Lypsinka montrer dans votre ville vous seriez sage d'acheter des billets. La quantité de mnémonique fine et de compétence physique exigées pour son acte est irréelle. Imaginez mémoriser la valeur d'heures du dialogue qui est totalement déconnecté au contexte et ensemble schizophrène poussé. Voici un prélèvement de sa manière inimitable avec de vieilles agrafes saines de Hollywood. Un de mes beaucoup de rêves dans la vie est d'accueillir les parties fabuleuses d'oscar de liste d'A en lesquelles je pourrais enrôler les divas vraies pour exécuter. Imaginez que Lypsinka faisant un délicieux charme-a adapté le mélange de toutes les lignes de diva (et il y a un bon nombre de elles cette année) de règne de cygne et animal noir et du combattant ! « Vous avez fait un certain bonbon gâté de choses ! »
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Podcast: Sexy more intruder. Role performance by OSCAR

New Podcast! All troops young steam turbine and gas turbine system. Nathaniel, nod, Katey and Joe were too full from the spirit off the reward season ton of CLOSE more over into the time alloted thesis in look for has way comes ton you into two shares (flock off two tomorrow). Incoming goods explode with the vibration drive feature off the axle one difficult traction conditions regarding into particular appointed involved one and the speech climate off BAFTAs off the fattening off the Königes. Thus incoming goods decided tons play the preferred hypothetical play off the season off the reward off the film experiment: What C the roles you think mentioned been thus from the more other playing appointed involved ones interesting gold completely differently? Goal it is emergency everything… The covered material include Channing Tatum and Beautiful Jamie into the Eagles Queens (pulled reaction) off harms: Miranda Richardson and Anjelica Huston Nicole Kidman with Grammys Hostile David Fincher „behind the LINEs “ The Ehrerbietung from Aronofsky ton of Natalie Portman The second the female role releases for all. Ton who flat? Switcheroos off the performance role. Which took flocks would fuel element most interesting into roles off everyone? Helena Bonham Carter of receives completely stimmliche/psychological drive meeting, and sexy the more intruder into the children acres from Mark Ruffalo completely let custom enrich competition sperm givers good discoveries. The youngest articles quoted briefly: Part off Annette Bening off nod the examination off Nathaniel off the Eagles, review 1990 off the OSCAR OF Joe.   HEARS INSIDE. Incoming goods would like tons hear your COMMENTs. Particularly regarding the annual play off OSCAR von Filmerfahrung. Mediate the more over roles. What' cha received?
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