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Great classic films, best all time movies

Archivistic length off Ingrid and Roberto with the twins

I just found year article which was written in 1954 and was republished this October 14 (2010). Video The article and it which are united are really interesting! There is length off Ingrid and present Roberto the twins, the Ingrid Rossellini and Isabella Rossellini with the public. Young stag video it: Be sour to check the article with the Web site off The Guardian.
Great classic films, best all time movies

24 Hours (1931): One day supplements with Hopkins and Francis

Talented but temperamental actress Miriam Hopkins had the reputation of stealing scenes and chewing scenery throughout her prominent career. Her earliest days onscreen were no exception and as a bright and shiny new star at Paramount in the early 1930’s, she did not hide her light under a bushel. Making her film debut in 1930 in Fast and Loose with fellow Paramount pretty Carole Lombard ( Lombard had been in films for over half a decade by then), she had a hit in her second feature The Smiling Lieutenant (1931) co-starring movie novice Claudette Colbert. By her third film, she was the sure fire star of the show, even though Clive Brook and Kay Francis were billed ab! ove her. The film was called 24 Hours, and it was a prime example of pre-Code Paramount, with a great line-up of actors to boot.Jim and Fanny Towner (Brook and Francis) are a wealthy yet bored couple who are each involved in an extramarital affair. Jim’s alcoholism doesn’t help the problem and he finds solace with his paramour Rosie Duggan (Hopkins), a brassy speak easy singer, who is married to a weak and neurotic small time hoodlum named Tony (Regis Toomey, whose 40 year screen career began the year before this film was made). Tony is on the skids after his wife has the bouncer at the club where she works, toss him out on his keyster. Later that evening, she carries the! falling down drunk Jim home with her to see that he sleeps of! f his bu zz. When Tony comes aknockin’ in the middle of the night, crazed look in his eyes, he accidentally kills the two-timing torch singer, while her sugar daddy is passed out in the other room. He beats it when he realizes what he’s done, as does Jim when he awakes the next morning and realizes he could be blamed for the chanteuse’s demise.As much as a dramatic showcase 24 Hours is for Miriam Hopkins, Kay Francis has the tougher job of giving a more subtle yet still effective performance. To an extent she succeeds, but her character is written so that she has little more to do than look forlorn about the lack of love in both her marriage as well as her affair. Her dramatic gl! ory days would come with her tenure at Warner Brothers a few years later, a working relationship that was both extremely profitable as well as turbulent for the raven haired star. British born Clive Brook worked in silent films for years and made the transition to sound successfully. He looks rather bored in the first half of this film, but I suppose that is his job, as he is bored with his life AND his wife. (Brook made a telling statement about his profession in America when he said: "Hollywood is a chain gang and we lose the will to escape. The links of the chain are not forged with cruelties but with luxuries."). Although given a small role, veteran stage actress Lucille LaVerne gives the audience a visual once-over as Tony’s slovenly and tough-as-nails landlady. I recognized immediately her voice as that of the old hag in Walt Disney’s animated masterpiece Snow White and the Seven Dwarfs (1937). It was the last performance of her very lengthy caree! r, and the one for which she is most associated, as the animat! ors actu ally used the actress as a visual model for the crone.Based on the novel Twenty-Four Hours by Louis Bromfield, the film is a lost gem, a part of Paramount’s film library, owned by Universal/MCA, most of which are unreleased to the general public. Copies aren’t easy to find and when they are, the quality sometimes has much to be desired, but if you do get a chance to gander the charms of the young Mesdames Hopkins and Francis, I’d jump at it.
Great classic films, best all time movies

Archivistic length off Ingrid and Roberto with the twins

I just found year article which was written in 1954 and was republished this October 14 (2010). Video The article and it which are united are really interesting! There is length off Ingrid and present Roberto the twins, the Ingrid Rossellini and Isabella Rossellini with the public. Young stag video it: Be sour to check the article with the Web site off The Guardian.
Great classic films, best all time movies

24 Hours (1931): One day supplements with Hopkins and Francis

Talented but temperamental actress Miriam Hopkins had the reputation of stealing scenes and chewing scenery throughout her prominent career. Her earliest days onscreen were no exception and as a bright and shiny new star at Paramount in the early 1930’s, she did not hide her light under a bushel. Making her film debut in 1930 in Fast and Loose with fellow Paramount pretty Carole Lombard ( Lombard had been in films for over half a decade by then), she had a hit in her second feature The Smiling Lieutenant (1931) co-starring movie novice Claudette Colbert. By her third film, she was the sure fire star of the show, even though Clive Brook and Kay Francis were billed ab! ove her. The film was called 24 Hours, and it was a prime example of pre-Code Paramount, with a great line-up of actors to boot.Jim and Fanny Towner (Brook and Francis) are a wealthy yet bored couple who are each involved in an extramarital affair. Jim’s alcoholism doesn’t help the problem and he finds solace with his paramour Rosie Duggan (Hopkins), a brassy speak easy singer, who is married to a weak and neurotic small time hoodlum named Tony (Regis Toomey, whose 40 year screen career began the year before this film was made). Tony is on the skids after his wife has the bouncer at the club where she works, toss him out on his keyster. Later that evening, she carries the! falling down drunk Jim home with her to see that he sleeps of! f his bu zz. When Tony comes aknockin’ in the middle of the night, crazed look in his eyes, he accidentally kills the two-timing torch singer, while her sugar daddy is passed out in the other room. He beats it when he realizes what he’s done, as does Jim when he awakes the next morning and realizes he could be blamed for the chanteuse’s demise.As much as a dramatic showcase 24 Hours is for Miriam Hopkins, Kay Francis has the tougher job of giving a more subtle yet still effective performance. To an extent she succeeds, but her character is written so that she has little more to do than look forlorn about the lack of love in both her marriage as well as her affair. Her dramatic gl! ory days would come with her tenure at Warner Brothers a few years later, a working relationship that was both extremely profitable as well as turbulent for the raven haired star. British born Clive Brook worked in silent films for years and made the transition to sound successfully. He looks rather bored in the first half of this film, but I suppose that is his job, as he is bored with his life AND his wife. (Brook made a telling statement about his profession in America when he said: "Hollywood is a chain gang and we lose the will to escape. The links of the chain are not forged with cruelties but with luxuries."). Although given a small role, veteran stage actress Lucille LaVerne gives the audience a visual once-over as Tony’s slovenly and tough-as-nails landlady. I recognized immediately her voice as that of the old hag in Walt Disney’s animated masterpiece Snow White and the Seven Dwarfs (1937). It was the last performance of her very lengthy caree! r, and the one for which she is most associated, as the animat! ors actu ally used the actress as a visual model for the crone.Based on the novel Twenty-Four Hours by Louis Bromfield, the film is a lost gem, a part of Paramount’s film library, owned by Universal/MCA, most of which are unreleased to the general public. Copies aren’t easy to find and when they are, the quality sometimes has much to be desired, but if you do get a chance to gander the charms of the young Mesdames Hopkins and Francis, I’d jump at it.
Great classic films, best all time movies

10 completely random things butt me and my obsession with old films

For the most part, I seem to spend about 88% of my time, either watching an old movie or talking about it. That small percentage away from old movies, I do obsess over other things... I swear! XD Anywho... here is the randomness of me, Enjoy! 1. Addicted is probably not strong enough a word to describe how much I utterly adore Marina and the Diamonds. Her music is just so brilliant and interesting, in that I've never quite heard music like hers before. There doesn't go a day, without me listening to at least one of her songs. Some of her songs, I can relate to so well, and they are just so much fun to listen to.Recommended Songs: I would say her an entire album(The Family Jewels) but if you want to hear her absolute best, then I would sugges! t listening to either, "I am Not a Robot", or "Oh No!"2. If I could be any two characters, from any movie, they would be: Nora Charles in "The Thin Man'' and Ann Lemp in "Four Daughters". 3. Favorite Leading Man of the 1940's(Not Including Jeffrey Lynn!) would definitely be Cary Grant, Robert Cummings, and William Prince.4. Two actors, that I wish could have worked together would be Myrna Loy and Humphrey Bogart, Myrna Loy and Jeffrey Lynn, and Jeffrey Lynn and Jean Harlow 5. The 1930's are my favorite style decade, with the 1960's close behind.6. If I could steal away any Myrna Loy look, it would be her amazingly brilliant striped dress, she wore in "The Thin Man". As a matter of fact, I would steal her entire wardrobe from that film. 7. I pr! efer watching Jeffrey Lynn in his more comedic roles, such as ! his role in "Four Daughters" or his very uptight role in "It All Came True". Even when his character is tensed up, the environment of the film is lighthearted. 8. I survive solely on these four shows: "CSI", "Infomania", "Deadly Women", and "Glee".( I confess to being an informative Deadly CSIer Gleek and I'm quite proud to admit it!) 9. I will NEVER read or watch anything to do with "Twilight". All I have to say to that is, BLEH!10. I HATE HATE HATE Peanut Butter!I know, you were not expecting that last one, were you???? Hahaha :D It's all in good fun, so if you want to join in, come on and have some fun! ;)
Great classic films, best all time movies

What amndt me observing? : Well, I will say to you

Classic movies are obviously one of my favorite things (hence this venue for my passion), and although I write about various films and classic stars, there are so many other personal viewings whose good or bad aspects, as the case may be, don’t get recorded on this blog. There just isn’t enough time to write about them all as in depth as I might like. Having said that, I’d like to pass along a few films, recently viewed, but not shared.The Great Man's Lady (1942)Starring Barbara Stanwyck and Joel McCrea, with second lead going to Brian Donlevy, The Great Man’s Lady has a cast who can always deliver the cinematic goods. McCrea is the Great Man, Stanwyck, his lady. Babs ages from 16 to over 100 (pictured above), and lives a lot of life in between. Director William Wellman leaves his signature masculine touch, with plenty of rough and tumble historics mixed with emotional histrionics.Stanwyck was made for this kind of role. She is part Stella Dallas, part Victoria Barkley. Some may wonder why she sacrifices so much for her “great man”, but that’s the nature of old Hollywood. Catch it if you can.Le Corbeau (The Raven; 1943)Director Hen! ri-Georg es Clouzot was known as “the French Hitchcock” and with good reason. Most famous for 1955’s Les Diaboliques, Clouzot shot Le Corbeau during the war and its somber mood and very adult themes reflect the conditions of his nation at the time. More a mystery than a suspense, the latter characteristic is always present.Le Corbeau or The Raven is the signature used by a poison pen letter writer in a small French burg, whose main aggression is directed at a local doctor (Pierre Fresnay). The letters accuse, among many other things, the doctor of being an abortionist. Pretty frank topic during World War II, or anytime before the new millennium for that fact. The entire film is frank and extremely well made. Even if you aren’t into sub-titles, if you like film noir at all, I suggest you give this foreign flick a try, as it is very noirish in feel.Four Frightened People (1934)I don’t usually write about films that I didn’t really enjoy, but with this particular post, one takes the good with the bad. It’s not that Four Frightened People is particularly bad, it’s just not all that good. Directed by the gargantuan filmmaker Cecil B. DeMille, it did not even make back its cost and DeMille counted it one of his box office turkeys.The story tells of four completely different types from the western world, who evacuate a ship off the Malayan coast, which has been striken with bubonic plague. They make their way to land only to be lost in the deepest jungle, to be hunted by nasty natives and even nastier attitudes among themselves. Think Survivor 1934.Starring Claudette Colbert and Herbert Marshall, with support by William Gargan and Mary Boland, and made at Paramount, the film looks more like one of the studios attempts at a low grade B flick than a Cecil B. DeMille mega-production. But the thing that really got this blogger, was Claudette Colbert, who never disappoints. As a mousy, high strung old maid teacher (can you imagine!), she is anything but classic Colbert. Then she blossoms into a jungle maiden, wearing a sarong of giant banana leaves or leopard print, in full make-up and coiffure. We are talking Fredrick's of Hollywood in the middle of a jungle folks. But the classic Colbert would appear directly after this film was released, because it was then that she played her career changing Oscar winning role in It Happened One Night. One brigh! t spot is Mary Boland. Looking like Paula Deen’s grandmother, Boland is a comic relief of sorts, a toned down version of her Countess DeLave from The Women (1939). I wouldn’t say “Don’t watch this”, as it is watchable but don’t expect a lot either.There you have it. Rupert’s recent roster of raves and rants. Which leads me to ask, have YOU seen anything delightful or deplorable of late?
Great classic films, best all time movies